{"id":2934,"date":"2024-12-12T10:37:34","date_gmt":"2024-12-12T09:37:34","guid":{"rendered":"https:\/\/rialia.eus\/musica\/"},"modified":"2025-01-29T11:07:08","modified_gmt":"2025-01-29T10:07:08","slug":"the-train-of-bands","status":"publish","type":"page","link":"https:\/\/rialia.eus\/en\/museum\/permanent-exhibition\/portugalete\/the-train-of-bands\/","title":{"rendered":"THE TRAIN OF BANDS"},"content":{"rendered":"
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The problems of the industry on the left bank, the consequent social crisis and the challenges that Basque society had faced since the mid-80s of the 20th century were reflected in the music.<\/p>\r\n\r\n

Various groups emerged with protest songs, resulting from exhaustion from many broken promises and the lack of opportunities.<\/p>\r\n\r\n

They had an unprecedented musical expression, and the lyrics of these songs, corrosive, did not leave indifferent. They were characterized by their anti-consumption, anti-nuclear, anti-system, anti-repression, antimilitarist, and anti-sexist positions\u2026 with a clear rejection of accepting the imposition of a collapsing society.<\/p>\r\n\r\n

On this Web, you can find some examples of it.\r\n<\/p>\r\n<\/div>\r\n<\/div>\r\n\r\n

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Zuloak- Zuloa<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t<\/div>\t\r\n\t\t
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Waldheim \u2013 Lost in the rain<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t<\/div>\r\n\t\t
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Penadas por la ley \u2013 Tumbas en el mar<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n<\/div>\r\n
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Gris perla \u2013 Siempre gris<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n
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Los whitos \u2013 Semos de Sestao<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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Eskorbuto \u2013 Ratas de Bizkaia<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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Distorsi\u00f3n \u2013 Puta Sociedad<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n\r\n
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INRI \u2013 Ortuella (1993)<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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Imanol Larzabal \u2013 Mayo (1979)<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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\u00c9xodo \u2013 Margen Izquierda (El Bronx)<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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Penadas por la ley \u2013 Iraultza gara<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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Zarama \u2013 I\u00f1aki<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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Oskorri \u2013 Forjarien kanta<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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Hertzainak \u2013 Eutsi gogor!!<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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Zarama \u2013 Eskerralde (1984)<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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La Polla Records \u2013 ellos dicen mierda 1990<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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16 V\u00e1lvulas \u2013 El rock del obrero<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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Pl\u00e9yade- Dosis de Rock<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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\r\n \"\"<\/a>\r\n <\/div>\r\n
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16 V\u00e1lvulas \u2013 Disparo contra disparo<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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\r\n \"\"<\/a>\r\n <\/div>\r\n
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Gris Perla \u2013 Coraz\u00f3n de metal<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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Las Vulpes \u2013 Central Nuclear<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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Alma Culter \u2013 Caos<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n
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\r\n \"\"<\/a>\r\n <\/div>\r\n
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Inkubo- BILBAO R\u00cdA 2000<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n\r\n
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\r\n \"\"<\/a>\r\n <\/div>\r\n
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Tahures zurdos \u2013 Aros de hierro<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n\r\n
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\r\n \"\"<\/a>\r\n <\/div>\r\n
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Las Vulpess \u2013 Anarkia en TV<\/h3>\r\n\t <\/div>\r\n <\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\r\n<\/div>\r\n","protected":false},"excerpt":{"rendered":"

The problems of the industry on the left bank, the consequent social crisis and the challenges that Basque society had faced since the mid-80s of the 20th century were reflected in the music. Various groups emerged with protest songs, resulting from exhaustion from many broken promises and the lack of opportunities. They had an unprecedented […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2945,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-interior-expo-permanente.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2934","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nTHE TRAIN OF BANDS - Rialia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rialia.eus\/en\/museum\/permanent-exhibition\/portugalete\/the-train-of-bands\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE TRAIN OF BANDS - Rialia\" \/>\n<meta property=\"og:description\" content=\"The problems of the industry on the left bank, the consequent social crisis and the challenges that Basque society had faced since the mid-80s of the 20th century were reflected in the music. 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