{"id":2777,"date":"2024-12-03T10:08:09","date_gmt":"2024-12-03T09:08:09","guid":{"rendered":"https:\/\/rialia.eus\/iron\/susurros-junto-al-cuadro-interior-de-los-talleres-de-acero-robert\/"},"modified":"2025-01-22T11:48:32","modified_gmt":"2025-01-22T10:48:32","slug":"whispers-next-to-the-painting-interior-de-los-talleres-de-acero-robert","status":"publish","type":"page","link":"https:\/\/rialia.eus\/en\/museum\/permanent-exhibition\/iron\/whispers-next-to-the-painting-interior-de-los-talleres-de-acero-robert\/","title":{"rendered":"Whispers next to the painting \u2018Interior de los talleres de Acero Robert\u2019"},"content":{"rendered":"\t<div class=\"row\">\r\n\t\t\t\t\t\t<div class=\"col-md-6\"><a rel=\"single-photo\" href=\"https:\/\/rialia.eus\/wp-content\/uploads\/Robert_bn.jpg\"><img width=\"100%\" height=\"auto\" alt=\"\" data-src=\"https:\/\/rialia.eus\/wp-content\/uploads\/Robert_bn.jpg\" class=\" lazyload\"><\/a>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t<div class=\"col-md-6\">\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<p>The picture is an image of La Vizcaya; it can be identified because of the Robert converter, a French converter quite similar to the Bessemer. The Ibarra family had bought the license for the Bessemer converters to be used in Altos Hornos de Bilbao. Hence, Victor Ch\u00e1varri had to set up different converters in La Vizcaya.<\/p>\r\n\r\n<p>In this landscape of fire are a group of men with their hands in their pockets, standing in a circle, talking about the company being built around them.<\/p>\r\n\r\n<p>Meanwhile, immersed in their working day, workers carry water, move spades full of slag, handle burning mineral, hold iron chains and survive the suffocating heat.<\/p>\r\n\r\n<p>In 1902, Altos Hornos de Bilbao, La Vizcaya and La Iberia united to make Altos Hornos de Vizcaya.<\/p>\r\n\r\n\t<hr>\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t<p><audio class=\"wp-audio-shortcode\" id=\"audio-2777-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/rialia.eus\/audio\/28-susurro_convertidor_robert_en.mp3?_=1\"><\/source><a href=\"https:\/\/rialia.eus\/audio\/28-susurro_convertidor_robert_en.mp3\">https:\/\/rialia.eus\/audio\/28-susurro_convertidor_robert_en.mp3<\/a><\/audio> \t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t  <\/p><\/div>\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>The picture is an image of La Vizcaya; it can be identified because of the Robert converter, a French converter quite similar to the Bessemer. The Ibarra family had bought the license for the Bessemer converters to be used in Altos Hornos de Bilbao. Hence, Victor Ch\u00e1varri had to set up different converters in La [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2587,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-interior-expo-permanente.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2777","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Whispers next to the painting \u2018Interior de los talleres de Acero Robert\u2019 - Rialia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rialia.eus\/museo\/exposicion-permanente\/hierro\/susurros-junto-al-cuadro-interior-de-los-talleres-de-acero-robert\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Whispers next to the painting \u2018Interior de los talleres de Acero Robert\u2019 - Rialia\" \/>\n<meta property=\"og:description\" content=\"The picture is an image of La Vizcaya; it can be identified because of the Robert converter, a French converter quite similar to the Bessemer. 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